— name

twisted entities

— role

graphic design

— date

7/2021

bodies and body images are more individualised today than ever before, along with new technologies that will enable made-to-measure systems to offer appropriate possibilities to individualised bodies.

we encounter each other less and less in the real 'theatre', however. virtual and augmented reality are no longer technological fads – they are conquering everyday life and rewriting the relationship between people and technology.

desocialisation, dematerialisation, lack of resonance. dependencies and interactions of body, space and time 

are permanently changing. 

culture, theatre and the experience of corporeality are changing. 

philosopher Byung-Chul believes that the body is in crisis because the measurement and quantification of so-called dataism reduce it to data sets. physicality in the digital is smooth and structureless. the body is dissolving.

in the end, we rotate in and around

ourselves – as a footless and

bodiless two-legged figure.

the aesthetic reality of the absurd theatre affects the wallpaper. it tells the story of distorted bodies, which are twisted, entangled and twisted in their interactions – masked and de-individualised in the process. the attempt of constant improvement, growth and overhaul is writ large alongside love and entanglements. in other words, a constant tendency to optimise, but one that is continuously interconnected and interwoven.